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Used in pathways:

Distillation of Adaption by Daniel Fisher,

A list of documents processing the reduction of the novel into key scenes in order to create the film

The Role of Gender In Sally Potters \'Orlando\' by Eleanor Bliss,

The Role of Gender In Sally Potters \'Orlando\' by Eleanor Bliss,

orlando to orlando by Jeanne le Roux,

the process of adapting the essence of orlando from literature to film.

Potter and Woolf by Ada Teistung,

Intertextuality in, and adaptation of Orlando.

Gender and Androgyny within Orlando by Anna De Guia-Eriksson, Student

My Default Pathway by Ashley Flatley, Student

My Default Pathway by Charles Tirella, Student

Alex Garbutt\'s pathway by Alexander Garbutt, Student

A focus upon aspects from the stage of development as to discern the approach taken in adapting from novel to film.

Orlando by Matous Sedlak, Student

Orlando from Novel to Film by Rea Anastasopoulou, Student

Pathway to reflect upon and illustrate the process of adapting Virginia Woolf’s 1928 novel, Orlando, to film.

The Adaptation Process by Nida Sheriff, Student

What is lost and what is gained?

The Adaptation Process by Nida Sheriff, Student

What is lost and what is gained?

Gender and Sexuality in Orlando by Melanie Allickson, Student

The Concept of Gender in the Film Orlando by Tara Campbell, MA Student

My Default Pathway by Jazmine Herron, MA Student

My Default Pathway by Meghan Longo, MA Student

Getting the Film made by Samuel Cross, Student

An analysis of the pragmatics of getting Orlando made.

Funding Process by Julie Solovyeva, Student

My Default Pathway by Emily Eyre, Student

Description 1 x A4 black photograph album; 34 vellum pages; 24 x colour prints, Mixed, Presentation book containing Sally Potter's notes on the film and colour photographs of Tilda Swinton at Hatfield House
Asset ID SPA0000155
Date 1988
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