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Used in pathways:

Orlando- the ending by Bella Wing-Davey,

the issue of adapting a book and bringing it into the present- the decision to have a modern ending- and the process of creating a modern ending..seeing SP process of realising this

Influences upon adaptation by Leanne Furneaux,

Distillation of Adaption by Daniel Fisher,

A list of documents processing the reduction of the novel into key scenes in order to create the film

Orlando; Pathway by Sade Akin,

Orlando- A film by Sally Potter based on the novel by Virginia Woolf by Lidia Buonaiuto,

Reflect upon and illustrate the process of adapting Virginia Woolf's 1928 novel, Orlando, to film.

The Different Path to Reach Orlando by Ryan Reyna,

An aim in understanding the different steps Sally Potter took to reach the same essential meaning behind Woolf's Orlando.

Sally Potter\'s Orlando and Intertexuality by Corey Hill,

Intertextuality- Orlando by Natalie Marcus,

Intertextuality in Orlando, in what ways are the aims of Woolf and Potterthe same/different? by Sophie Durham,

An exploration into the ways in which Woolf and Potter construct their versions of Orlando and how these show similar motives as authors, or perhaps how these motives might differ, possibly due to the fact that they use different mediums to tell the same story.

Intertextuality in Orlando, in what ways are the aims of Woolf and Potterthe same/different? by Sophie Durham,

An exploration into the ways in which Woolf and Potter construct their versions of Orlando and how these show similar motives as authors, or perhaps how these motives might differ, possibly due to the fact that they use different mediums to tell the same story.

Intertextuality in Orlando by Philippa Selby,

Exploring intertextuality in Sally Potter's 'Orlando' (1992)

Intertextuality and gender in Orlando by Rachel Clarkstone, Student

My Default Pathway by Daniela Vilu, Student

My Default Pathway by Daniela Vilu, Student

Pretty Pathway by Richard Leigh, Student

Orlando and Tilda Swinton exchanges by Anna Husted, Student

Various views of Swinton's characters in the film Orlando.

Orlando and Tilda Swinton exchanges by Anna Husted, Student

Various views of Swinton's characters in the film Orlando.

My Default Pathway by Harveen Panesar, Student

Adapting Orlando by Alejandro Fernandez Moreno, Student

Orlando from Novel to Film by Rea Anastasopoulou, Student

Pathway to reflect upon and illustrate the process of adapting Virginia Woolf’s 1928 novel, Orlando, to film.

My Default Pathway by Nicole Moir, Student

My Default Pathway by Nicole Moir, Student

The Adaptation Process by Nida Sheriff, Student

What is lost and what is gained?

The Adaptation Process by Nida Sheriff, Student

What is lost and what is gained?

Modernizing Orlando. by Jessica Rehkopf, Student

My Default Pathway by Robin Walmsley Reynolds, Student

The female and the other by Easmanie Michel, Student

The female consciousness throughout the film. Orlando supports the poet because of his otherness

Description A4 pages, Paper, Typed notes on Virginia Woolf's ideas about the future for women
Asset ID SPA0000100
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