Pathway: The Transition from Novel to Film by Emma Hancock-Taylor

Black and white A4 computer printed, Paper, Revised draft of screenplay

Oak tree, comparison in film and novel. How Sally Potter saw the script as something in its own right. "You have to be cruel to the novel in order to be kind to the film" Interview with Sally Potter

1 x A4 black photograph album; 34 vellum pages; 24 x colour prints, Mixed, Presentation book containing Sally Potter's notes on the film and colour photographs of Tilda Swinton at Hatfield House

Choice of Tilda Swinton as actress. Focus on difference between male and female or lack of difference. "Same person, different sex"

1 x colour slide in transparent plastic hanging sheet, Digital, Behind the Scenes Images - Sally Potter and Tilda Swinton on location for Scene 14

Sally Potter and Tilda Swinton worked together to connect the audience to the story. Tilda Swinton as Orlando practiced talking to Potter in the way she would to the camera (golden thread). A story about the present set in the past, reflected by this talking to the camera.

Orlando running away from camera in maze

Transition to different periods. Maze a useful way to explore this

Video file, Digital, Unedited video rushes of location scouting at Hatfield house -- Sally Potter with Alexei Rodionov operating camera

1 x colour slide in transparent plastic hanging sheet, Digital, Behind the Scenes Images - Sally Potter and Crew on location for Scene 16

Importance of crew and Potter's collaboration with them.

Over shoulder shot from publisher's perspective, of Orlando sitting in Publisher's office.

Decision to end in the nineties rather than in 1928 like the novel. Capturing Woolf's idea of ending the novel in the present day